Maryan Besaga

IN-FORMATION 01 explores a state in which form is not yet fully defined, but begins to emerge from a field of colour. The composition is structured through vertical flows of colour that interact, overlap, and transition into one another, creating a space of continuous transformation.

Here, colour ceases to function as an attribute of an object and becomes an autonomous energy. Fields of blue, green, yellow, red, and violet generate different levels of density and tension, while the luminous area on the right appears almost as a moment of opening — a space where the material presence of colour shifts into light.

The vertical rhythm evokes flows, frequencies, or waves that exist simultaneously while influencing one another. Their boundaries remain unstable: colour enters neighbouring fields, alters them, and is itself transformed through this interaction.

For me, the work raises a question: can form emerge not as a predetermined image, but as the result of interactions between colour, rhythm, energy, and material? There is no specific object to be recognised. Instead, the image takes shape through the very process of perception.

This principle lies at the core of IN-FORMATION — From Field to Form: an exploration of the moment when an undefined visual field begins to acquire structure, and structure begins to reveal the potential of form.