Maryan Besaga

In Presence 3.02, space finally loses all reference to recognizable objects and transforms into a continuous field of rhythmic vibrations. The entire surface is composed of recurring arc-like traces, yet their structure is never mechanical: the rhythm constantly shifts, becomes denser, disperses, and then gathers again into waves.

Colour plays a particularly important role. From almost weightless pink and red tones at the top, it moves into an intense field of yellow, followed by green, violet, and deep blue. These zones suggest layers, yet their boundaries remain unstable. Colour spreads like a wave, gradually transforming the state of the entire environment.

For this reason, the work may evoke associations with a natural landscape — light, water, sky, or earth — although no specific landscape is actually depicted. It is rather a landscape of energies, where instead of objects we perceive their rhythms, frequencies, and transitions.

The recurring arcs can be understood as traces of invisible vibrations, much like the way sound or an impulse generates waves across the surface of water. At the same time, their tactile quality suggests another reading — as though the entire surface were covered with countless traces of touch, signs or imprints of an invisible presence.