Cosmology — Unknown Worlds 2 — "Presence" Series (2015)
Year
2015
Dimensions
110 х 80 см
Materials
pastel, paper
Medium
Graphics
Series
PRESENCE
Price
$3500
Shipping cost depends on location
80 × 110 cm
In Cosmology — Unknown Worlds 2, space is constructed from thousands of horizontal lines layered upon one another, forming fields of colour with varying density and intensity. The image may evoke a landscape with a horizon, yet this landscape belongs to no specific place — rather, it emerges as a visualization of a particular state or frequency.
Here, the line becomes the fundamental unit of construction. Through repetition, it generates a rhythm reminiscent of a wave, a sound signal, or the recording of an unknown form of radiation. Yellow, red, blue, green, and dark bands do not simply follow one another; they create different levels of tension, as though space possessed its own internal spectral structure.
The title Unknown Worlds does not bind the work literally to outer space. An “unknown world” may exist at any scale — from cosmic space to the structure of matter, an electromagnetic field, or a process that the human eye is simply unable to perceive directly.
Within the context of the series, an important transformation takes place: the “imprint of presence” becomes the “frequency of presence.”
Unknown Worlds 2 explores the possibility of an invisible landscape — a space that reveals itself not through representational form, but through rhythm, frequency, and colour.
Commissioned This work is already commissioned.
Buy Cosmology — Unknown Worlds 2 — "Presence" Series (2015)
Year
2015
Dimensions
110 х 80 см
Materials
pastel, paper
Medium
Graphics
Series
PRESENCE
Price
$3500
Shipping cost depends on location
In Cosmology — Unknown Worlds 2, space is constructed from thousands of horizontal lines layered upon one another, forming fields of colour with varying density and intensity. The image may evoke a landscape with a horizon, yet this landscape belongs to no specific place — rather, it emerges as a visualization of a particular state or frequency.
Here, the line becomes the fundamental unit of construction. Through repetition, it generates a rhythm reminiscent of a wave, a sound signal, or the recording of an unknown form of radiation. Yellow, red, blue, green, and dark bands do not simply follow one another; they create different levels of tension, as though space possessed its own internal spectral structure.
The title Unknown Worlds does not bind the work literally to outer space. An “unknown world” may exist at any scale — from cosmic space to the structure of matter, an electromagnetic field, or a process that the human eye is simply unable to perceive directly.
Within the context of the series, an important transformation takes place: the “imprint of presence” becomes the “frequency of presence.”
Unknown Worlds 2 explores the possibility of an invisible landscape — a space that reveals itself not through representational form, but through rhythm, frequency, and colour.
Ask Cosmology — Unknown Worlds 2 — "Presence" Series (2015)
Year
2015
Dimensions
110 х 80 см
Materials
pastel, paper
Medium
Graphics
Series
PRESENCE
Price
$3500
Shipping cost depends on location
In Cosmology — Unknown Worlds 2, space is constructed from thousands of horizontal lines layered upon one another, forming fields of colour with varying density and intensity. The image may evoke a landscape with a horizon, yet this landscape belongs to no specific place — rather, it emerges as a visualization of a particular state or frequency.
Here, the line becomes the fundamental unit of construction. Through repetition, it generates a rhythm reminiscent of a wave, a sound signal, or the recording of an unknown form of radiation. Yellow, red, blue, green, and dark bands do not simply follow one another; they create different levels of tension, as though space possessed its own internal spectral structure.
The title Unknown Worlds does not bind the work literally to outer space. An “unknown world” may exist at any scale — from cosmic space to the structure of matter, an electromagnetic field, or a process that the human eye is simply unable to perceive directly.
Within the context of the series, an important transformation takes place: the “imprint of presence” becomes the “frequency of presence.”
Unknown Worlds 2 explores the possibility of an invisible landscape — a space that reveals itself not through representational form, but through rhythm, frequency, and colour.