Maryan Besaga

In Cosmology IV, space appears as a continuous field of energy. The dense pastel texture is composed of countless small gestures that merge into a pulsating surface. Colour gradually shifts from deep reds and darker tones through greens and yellows into saturated warm hues, creating a sense of energy moving through different states.

Long parallel lines pass through this environment. They evoke flows, trajectories, or field lines of an invisible force. Their movement is never entirely straight: the lines deviate, compress, and change direction, as though responding to forces present within the space itself.

What emerges is an environment in which the invisible becomes perceptible not through a specific form, but through rhythm, direction, and vibration. What cannot be seen directly reveals itself through the traces of its own activity.

The tactile quality of pastel intensifies this sensation. The repeated gesture of the hand forms an almost continuous field of matter, while the linear structures introduce another scale of movement — extended, directional, and passing through the entire field of the composition.