Maryan Besaga

In Cosmology III, space transforms into a complex field of interaction between invisible forces. The dense pastel surface is composed of countless small rhythmic gestures that create a shifting environment — a kind of landscape of energies, without a familiar horizon or any fixed sense of scale.

Vertical linear flows pass through this field. They move in parallel, yet their trajectories are constantly changing: converging, diverging, shifting, and curving, as though responding to the presence of forces that remain beyond our direct perception.

The relationship between these two structures becomes particularly important. The fine texture creates a continuous pulsating field, while the long lines establish a directional movement through it. Their interaction recalls the principle of field lines, through which we can imagine the action of an invisible field without seeing the force itself.

The cool blue and turquoise palette, interrupted by muted violet and darker zones, gives the space a sense of depth and uncertainty. The work may be perceived simultaneously as a fragment of a cosmic environment, a microscopic structure, or an unknown system of flows — its scale remains open and undefined.